Sunday, December 7, 2008
President Dwayne Elizondo Mountain Dew Herbert Camacho, dressed in flashy American flag costume, commences Congress, which is sponsored by a soda company, by firing an automatic weapon.
Fox News in the future: scantily-clad bodybuilding reporters against a background of advertisments let you know what is important.
A television screen in the future: don't worry, there is definitely enough to keep the average feeble mind utterly occupied.
You gotta know what to eat in the future. Study this government and coroporation approved food pyramid carefully.
Future money rules! Check out all those zeros!! YEAHH!
Brawndo, the Thirst Mutiliator, plays an important role in the future, as it is used to water all plants and crops and mutilates the thirst of Americans everywhere. Water is for toilets! Drink Brawndo! Put it on your plants! Brawndo! It's got electrolytes!! It's got what plants crave!!! DRINK BRAWNDO!!!
I highly recommend watching a few of the videos on that site.
Interestingly enough, Brawndo is now an actual product, available from Omni Consumer Products and officially licensed from the film and its distributor, 20th Century Fox. It is a "refreshing and energizing lemon-lime endurance supplement beverage. Bright green with a smooth tangy flavor, and packed with 200mg of caffeine, taurine, inositol, guarana, and electrolytes. Packaged in a yellow 16oz aluminum can promininently featuring the logo and tagline, 'It's got what plants crave!'"
Sunday, November 30, 2008
Aldous Huxley, who lived from 1894 - 1963, was an important British intellectual and author well known for his novels and essays, and particularly for his works in philosophy and the dystopic science fiction genre, including Brave New World. Brave New World was written in 1931 and published the following year. The title refers to Shakespeare's play The Tempest. Huxley wrote the novel as a satirical reaction to a utopian novel entitled Men Like Gods by H. G. Wells, and wrote it unaware of Yevgeny Zamyatin's dystopic We which had been written in 1921. At the time of its publication, the novel was almost universally negatively criticized. The novel is set in London, England, which is part of The World State, in the year 2540 AD, or 632 AF. The society of The World State is centered around the technological advancements afforded by Henry Ford's assembly line. Henry Ford is deified the measurement of time has been changed from AD to AF, or "After Ford," with 1908 being the first Year of Our Ford, as it was the year the first Model T was produced using the assembly line method. Members of society are indoctrinated in their sleep through recordings, are controlled by hallucinogenic drugs called soma, natural reproduction has been elimated and casual sex is rampant.
Huxley was also well known for his early intellectual, metaphysical, and philosophical treatment of the subject of hallucinogenic drugs. His influential works The Doors of Perception and Heaven and Hell reference William Blake in their titles and explore the usage of psychoactive drugs, such as mescaline, as a means of arousing profound or mystical experience. Huxley writes that psychoactives are an immediate and effective method in which to activate areas of the brain, called antipodes, which sustain hallucinations and which otherwise remain dormant in everyday life. Huxley explains that these states can also be reached through more traditionally religious means such as fasting, meditation, other rituals or through deficiencies of certain vitamins.
A few interesting quotes from Huxley:
"Great is truth, but still greater, from a practical point of view, is silence about truth. By simply not mentioning certain subjects... totalitarian propagandists have influenced opinion much more effectively than they could have by the most eloquent denunciations."
"And it seems to me perfectly in the cards that there will be within the next generation or so a pharmacological method of making people love their servitude, and producing ... a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda, brainwashing, or brainwashing enhanced by pharmacological methods."
"God deliver us from such criminal imbecility."
Saturday, November 22, 2008
Friday, November 14, 2008
Jack London's novel The Iron Heel was published in 1908, which is much earlier than the other literary examples of dystopic fiction which I posted earlier. This novel deals more with societal changes through politics rather than through changing technologies. Specifically, The Iron Heel imagines an alternate history of America in which an oligarchical government takes control. An oligarchy is a government in which power is held by a small elite group. This group is distinguished by priviledged familial ties, such as royalty, but can also include families with established political or military power and wealth. Today, founding families of powerful corporations could constitute an oligarchy. Oligarchies tend to become tyrannical, as they do in London's novel. A recent example of an oligarchy would be the government of South Africa in the twentieth century, in which a small group of nonnative whites held governmental power over a much larger native African population, and instituted apartheid as a means to maintain control and limit opportunities to the population. In The Iron Heel, the oligarchy consists of monopolistic corporations who control a labor caste and a military caste, both of which are employed by the oligarchy. The oligarchy constructs a city called Asgard, in which a large population of the labor caste lives in poverty. Asgard is a reference to the Norse enclave of the Aesir, or gods, in which Valhalla is located. The oligarchy rules for three centuries until it is overturned by revolutions which lead to a new socialist society. In this novel, London demonstrates his Marxist belief that socialism will ineveitably triumph over capitalism.
Excerpt from Chapter 4, Slaves of the Machine:
"It seemed monstrous, impossible, that our whole society was based upon blood."
"`Really, this is fine. You are beginning to dig truth for yourself. It is your own empirical generalization, and it is correct. No man in the industrial machine is a free-will agent, except the large capitalist, and he isn't, if you'll pardon the Irishism. You see, the masters are quite sure that they are right in what they are doing. That is the crowning absurdity of the whole situation. They are so tied by their human nature that they can't do a thing unless they think it is right. They must have a sanction for their acts.
`When they want to do a thing, in business of course, they must wait till there arises in their brains, somehow, a religious, or ethical, or scientific, or philosophic, concept that the thing is right. And then they go ahead and do it, unwitting that one of the weaknesses of the human mind is that the wish is parent to the thought. No matter what they want to do, the sanction always comes. They are superficial casuists. They are Jesuitical. They even see their way to doing wrong that right may come of it. One of the pleasant and axiomatic fictions they have created is that they are superior to the rest of mankind in wisdom and efficiency. Therefrom comes their sanction to manage the bread and butter of the rest of mankind. They have even resurrected the theory of the divine right of kings--commercial kings in their case.
`The weakness in their position lies in that they are merely business men. They are not philosophers. They are not biologists nor sociologists. If they were, of course all would be well. A business man who was also a biologist and a sociologist would know, approximately, the right thing to do for humanity. But, outside the realm of business, these men are stupid. They know only business. They do not know mankind nor society, and yet they set themselves up as arbiters of the fates of the hungry millions and all the other millions thrown in. History, some day, will have an excruciating laugh at their expense.'"
Excerpt from Chapter 21, The Roaring Abysmal Beast:
"The condition of the people of the abyss was pitiable. Common school education, so far as they were concerned, had ceased. They lived like beasts in great squalid labor-ghettos, festering in misery and degradation. All their old liberties were gone. They were labor-slaves. Choice of work was denied them. Likewise was denied them the right to move from place to place, or the right to bear or possess arms. They were not land serfs like the farmers. They were machine-serfs and labor-serfs. When unusual needs arose for them, such as the building of the great highways and air-lines, of canals, tunnels, subways, and fortifications, levies were made on the labor-ghettos, and tens of thousands of serfs, willy-nilly, were transported to the scene of operations. Great armies of them are toiling now at the building of Ardis, housed in wretched barracks where family life cannot exist, and where decency is displaced by dull bestiality. In all truth, there in the labor-ghettos is the roaring abysmal beast the oligarchs fear so dreadfully--but it is the beast of their own making. In it they will not let the ape and tiger die."
Thursday, November 6, 2008
THX 1138 is a 1971 George Lucas film. It depicts a dystopic society in which the population is controlled through desensitizing medications dispersed by the government and a strong dehumanized police force. The characters in the film are all named using combinations of letters and numbers. When two main characters stop taking their medication, they begin to feel emotion and develop love, which makes them targets of the state.
The schism between the population and the police force is visually indicated through use of color in costume. The populace wears all white and have shaven heads, while the police force wear silver face masks and black outfits.
An interesting feature of this film is the state-sanctioned confessional-style rooms in which the characters may enter to speak with an illuminated image of Christ, which responds with pre-recorded answers at regular intervals to simulate the presence of an actual person. The image of Christ used for this purpose is from Hans Memling's 1478 painting Christ Giving His Blessing. This image is referred to as OMM 0910.
Just imagine this calming image, softly backlit, with a soothing voice reassuring you: "My time is yours...Yes, I understand...You are a true believer. Blessings of the state, blessings of the masses. Thou art a subject of the divine. Created in the image of man, by the masses, for the masses.
Let us be thankful we have an occupation to fill. Work hard; increase production, prevent accidents, and be happy. Let us be thankful we have commerce. Buy more. Buy more now. Buy more and be happy."
Official website for the film, which creates an interactive environment indicative of the film.
At top: original 1971 poster. Below: Recent poster for a re-release of the film.
Wednesday, October 22, 2008
La Jetee, Chris Marker's 1962 short masterpiece, is set in a WWIII-ravaged post-nuclear Paris. The twenty-eight minute film is comprised of still shots edited together into a montage, save for a short scene of motion picture. The film is narrated and subtitled. It deals with experiments in time travel, and complications of memory.
Sunday, October 19, 2008
What is consciousness?
Consciousness (n.) - the freedom to know that you are part of the system. It is the ability to understand that you cannot escape. No matter what you own or who you govern, consciousness is the awareness that absolutely nothing will ever matter.
What is freedom?
found freedom daunting, distant, detrimental
What a strange idea, to be free
No work? What would pass idle hours?
No Directive? What purpose did she serve then?
No, Freedom was only plausible in small chunks.
What is good? What is evil?
The good in
The evil is
How is a priori knowledge possible?
Has your life been made for you?
Before you were born perhaps?
Did the Ideological State Apparatus tell you what to do?
Are you aware? Or are they aware for you?
Do the others know, or are you alone?
A puppet for the ISA,
a preconditioned life for an empty shell.
Will you escape, or will you live your pre-made life to its end?
It's your choice...
Or is it?
Does God exist?
I have to write my character's name within parenthesis ( ) on the blog, as within the intended brackets < > it disappears.
Tuesday, October 14, 2008
You might even vote for one this fall.
You think they're people just like you.
You're wrong. Dead wrong.
This short story, entitled "Eight O'Clock in the Morning," by Ray Nelson, was the inspiration for the brilliant 1988 John Carpenter cult classic They Live. This short story is quite different from the film however. (The violence toward the female character is not an element of the film, although there is quite a bit of violence in it). Also, as this story is quite short, there is more development of the plot in the film, with more detailing of the underground resistance movements and their infiltration and destruction plans. The most notable element that is present in both versions is the instructive signage, such as OBEY, CONSUME, WATCH TV, CONFORM, MARRY AND REPRODUCE, SLEEP, and NO THOUGHT. These images are hidden from view by normal advertisements, but appear when one wears special sunglasses that allow one to "wake up." Here is a shot from the film:
The special sunglasses also allow one to see the true nature of people, whether they are human or a horrible decaying zombie-like skeleton/alien creature, as many politicians and others turn out to be:
Here's a short clip showing how the glasses work in a supermarket.
If you are so inclined, here is a link to the entire film. Enjoy!
Wednesday, October 1, 2008
I would like to point out that it is (almost) always raining in Blade Runner's 2010 Los Angeles, an excellent example of an overbearing environmental element that is an important part of a well-developed dystopia. Resultantly, umbrellas are highly specialized in the Blade Runner world, complete with lighted center poles to illuminate the crushing bleakness.
Notice the gigantic video billboard of a geisha eating a meal-pill. These types of billboards are now very common, an interesting point to ponder in that it would have been cutting-edge technology at the time of the film's release.
Geisha video billboard, Los Angeles 2010, in Blade Runner, 1982.
Video billboard upon a floating vessel, Pudong, Shanghai, China, 2007.
One should also note the architecture of the Tyrell Corporation building, which is comparable stylistically with buildings in Metropolis as well as ziggurats. Although in Blade Runner this monolithic building type has been increased in size to seven hundred stories and updated with futuristic technology, it still retains and evokes the same imposing and controlling feel as its predecessors.
Tyrell Corporation, Los Angeles 2010, in Blade Runner, 1982.
Ziggurat at Ur, Iraq, 2005.
This film is based upon the 1968 Philip K. Dick novel Do Androids Dream of Electric Sheep?
Monday, September 29, 2008
Metropolis Opening Scenes
Apologies for lack of english subtitles in this clip. Incredibly beautiful montage illustrating the movements of the machines in lower Metropolis, followed by the workers preparing for their shift.
Metropolis - Workers' Underground City
In this clip, a character has a vision in which Lang draws a parallel between the malfunctioning machine injuring workers with ritualistic human sacrifice to a monstrous idol. The end of the clip shows the upper part of the Metropolis, which is comparable stylistically to the illustrated cover of Zamyatin's We.
Monday, September 22, 2008
Transmetropolitan is a comic book set in the future in a megalopolis with dystopic elements of style. Here are some images from the first issue to give you an idea of an artistic take on the idea of dystopia in comic book form:
This shows the protagonist prior to descending into the city; he lives alone high in the mountains. He appears radically different from how he will in the city - note the extremely overgrown hair, indicating a naturalistic lifestyle. Also notice the pristine quality of nature.
Road sign showing the proximity of the city. The wilderness is still in the frame, but the signage with pictures of credit cards accepted at the toll booth anticipates the drastic change in scenery that is about to occur.
Entering the city. Notice the overbearing signs and advertisements screaming out simplistic slogans to the populace, as well as the insidious pollution blocking out the sky.
Another view of the city - less pollution here, but high rise buildings create a sense of claustrophobia within the frame.
City life, with comments from the mind of the protagonist. Demonstrates the clash of cultures within the city.
Tuesday, September 16, 2008
The most well-known literary example of dystopic fiction would be Nineteen Eighty-Four, or 1984, written by George Orwell in 1949. However, this genre was being developed well before Orwell's novel was published. One of the earliest and most important examples is Yevgeny Zamyatin's We from 1921. Franz Kafka published two of his most well-known works shortly thereafter, The Trial in 1925 and The Castle in 1926.
British First Edition Cover.
Early cover depicting Oceania metropolis, featuring the omniscient Big Brother posters, and a notable Anti-Sex League sash on Julia in the foreground.
Contemporary cover designed by Shepard Fairey of Obey / Giant / Propaganda graphic design empire. He incorporates his own symbols into this cover, such as the Andre the Giant face in the stars at the corners. Same exact color scheme he always uses.